Louise Bourgeois was born in Paris in 1911. She studied art at various
schools there, including the Ecole du Louvre, Académie des Beaux-Arts,
Académie Julian, and Atelier Fernand Léger. In 1938, she immigrated to
the United States and continued her studies at the Art Students League
in New York. Though her beginnings were as an engraver and painter, by
the 1940s she had turned her attention to sculptural work, for which she
is now recognized as a twentieth-century leader. Greatly influenced by
the influx of European Surrealist artists who immigrated to the United
States after World War II, Bourgeois’s early sculpture was composed of
groupings of abstract and organic shapes, often carved from wood. By the
1960s, she began to execute her work in rubber, bronze, and stone, and
the pieces themselves became larger and more referential to what has
become the dominant theme of her work: her childhood. She has famously
stated, “My childhood has never lost its magic, it has never lost its
mystery, and it has never lost its drama.” Deeply symbolic, her work
uses her relationship with her parents and the role sexuality played in
her early family life as a vocabulary in which to understand and remake
that history. The anthropomorphic shapes her pieces take—the female and
male bodies are continually referenced and remade—are charged with
sexuality and innocence and the interplay between the two. Bourgeois’s
work is in the collections of most major museums around the world. She
lived in New York, where she passed away in May 2010.
Nixon, Mignon. "Losing Louise." October no. 134 (Fall2010 2010): 122-132. Academic Search Complete, EBSCOhost (accessed April 20, 2012).
Losing Louise